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Přidal Fewepoxy dne 07-09-2012 14:10
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Erskine-Hill) Literary Criticism of Alexaner Pope, 1965 (edited by Bertrand A. Goldgar)Imitations of Horace, 1966 The Prose Works of Alexander Pope. I: The Earlier Works, 1711-1720, 1968 (edited by Norman Ault)Poetry and Prose of Alexander Pope, 1969 (selected with an introd. Sample the TinL daily newsletter. A great deal for libraries and schools! His religion barred him from politics, or from attending university for a professional career, and his teenage tuberculosis made him a hunchback no more than 4' 6" tall.
Many biographers portray him as an outsider and attribute his penchant for satire to such a convergence of circumstances. Rather, Pope saw himself as something of a national conscience, his verse achieving the moral force of those ancient seers who predicted either prosperity or woe for their people. The weakness of his body continued through his life, but the mildness of his mind perhaps ended with his childhood. His voice, when he was young, was so pleasing that he was called in fondness the 'little Nightingale. A good read for providing context to the debate between "high" and "low" art, and the publication of The Dunciad. Once inside the booths, the impatient fairgoers, sitting on rickety benches or at trestle tables, crunched walnuts and damsons, handed round baskets of plums, pears and peaches, flirted and joked and heckled with cries of Show, Show, Show, Show!

The complete texts of "An Essay on Criticism," "An Essay on Man," and "The Rape of the Lock," are also offered, with commentary and alaysis. Other resources provide historical, scientific, religious, and political context to the writer's age. In Pope's world God exists, and he is benificent: his universe is an ordered place. You're pleased with the poem, and you don't need poetry analysis to know it's good. Readers are perverse creatures, and will cavil in strange ways. Criticize the piece yourself, in your own time, from all angles, before the wounding remarks bring you up short.
Remember that evaluation is not a handing down of judgments, but a slow acquisition of essential writing skills. That may be because you cannot distinguish between the good and the bad in your output, which is a good recipe for mediocrity. Appraisal needs honesty and independent judgment, plus a whole battery of techniques that literary critics have developed over the centuries. The better libraries will have long shelves devoted to literary criticism, which you must read and absorb. Indeed you must put pen to paper yourself, and write your own notes and essays. As in everything literary, perception develops with your ability to express and reflect on that perception.

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