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He brings her some Nigerian clothing and music as gifts. As Beneatha tries on one of the robes, Asagai asks about her straightened hair. He implies that her hairstyle is too American and unnatural, and he wonders how it got that way. Beneatha says that her hair was once like his, but that she finds it too "raw" that way. He teases her a bit about being very serious about finding her identity, particularly her African identity, through him. Asagai obviously cares for Beneatha very much, and he wonders why Beneatha does not have the same feeling for him.
She explains that she is looking for more than storybook love. She wants to become an independent and liberated woman. Asagai scorns her wish, much to Beneatha's disappointment. Mama comes into the room, and Beneatha introduces her to Asagai. Mama then recites Beneatha's views on Africa and African people as best she can. When Asagai says goodbye, he calls Beneatha by a nickname, "Alaiyo.

Finally, the check arrives. Walter returns home and wants to talk about his liquor store plans. Ruth wants to discuss her pregnancy with him and becomes upset when he will not listen. She shuts herself into their bedroom. Mama sits down with Walter who is upset by—and ashamed of—his poverty, his job as a chauffeur, and his lack of upward mobility. Finally, Mama tells him that Ruth is pregnant and that she fears that Ruth is considering having an abortion.
Walter does not believe that Ruth would do such a thing until Ruth comes out of the bedroom to confirm that she has made a down payment on the service. While the play takes place entirely within the Youngers' apartment, Hansberry takes care to introduce external influences. This scene includes two phone calls: one for Walter from Willy about the liquor store investment and the other for Beneatha from Joseph Asagai, her good friend and fellow intellectual. Beneatha's spraying of the apartment seems symbolic of her dissatisfaction with her surroundings. She wants to rid herself and her family of what she later refers to as "acute ghetto-itis. As she asks him to sit down, she scurries to throw the spray gun off the couch in the hopes that Asagai won't see it.

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