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Arbuthnot", The DunciadJONATHAN SWIFT: "Verses on the Death of Dr. Hyde, Treasure IslandBRAM STOKER: DraculaW. ELIOT: "The Love Song of J. Alfred Prufrock", "The Waste Land"SEAMUS HEANEY: "Mid-Term Break", "Bog Queen"GEOFFREY HILL: "History as Poetry", "The Pentecost Castle"WILLIAM BUTLER YEATS: "The Wild Swans at Coole", "Sailing to Byzantium", "Leda and the Swan", "Among School Children"Shorter FictionJOSEPH CONRAD: Heart of DarknessJAMES JOYCE: Dubliners ("The Dead", Eveline", "Araby"Wink, Ulysses (the final chapter)Longer FictionJ. BALLARD: Empire of the Sun, CrashPAT BARKER: RegenerationJULIAN BARNES: Talking It OverMALCOLM BRADBURY: The History ManANTHONY BURGESS: A Clockwork OrangeA. BYATT: PossessionANGELA CARTER: Wise Children, Nights at the CircusFORD MADOX FORD: The Good SoldierE.
Dalloway, Orlando, To the Lighthouse PoetryWOLE SOYINKA (Nigeria): "Telephone Conversation"DEREK WALCOTT (Saint Lucia): "A Far Cry from Africa"Longer FictionCHINUA ACHEBE (Nigeria): Things Fall ApartMARGARET ATWOOD (Canada): The Handmaid's Tale, Cat's EyeJ. Mary Rowlandson 18th CenturyDramaJOHN GAY: The Beggar's OperaOLIVER GOLDSMITH: She Stoops to ConquerPoetryTHOMAS GRAY: "Elegy Written in a Country Churchyard"SAMUEL JOHNSON: "On the Death of Dr. DON DELILLO: White NoiseJON DOS PASSOS: Manhattan TransferTHEODORE DREISER: Sister CarrieBRET EASTON ELLIS: American Psycho, Lunar ParkRALPH ELLISON: Invisible ManJEFFREY EUGENIDES: The Virgin SuicidesWILLIAM FAULKNER: As I Lay Dying, Light in August, Absalom, Absalom! Fiesta)ZORA NEALE HURSTON: Their Eyes Were Watching GodHENRY JAMES: The Wings of the Dove, The AmbassadorsMAXINE HONG KINGSTON: China Men, Tripmaster MonkeyN. Sir Philip Sidney, Defense of Poesy (ca. Form: prose, with some portions of verse cited as examples.

Summary: Sidney clearly had been contemplating the problem of the poet's role in society for a long time, perhaps since his earliest education in which he would have encountered Plato's famous banishment of poets from the ideal Republic on the grounds that they could lead the Guardians and citizens to immorality. It long has been argued that he may have been responding to Stephen Gosson, a Puritain pamphleteer whose "School of Abuse" blamed playwrights and the theatre, in particular, and poets in general, for leading English society astray. Gosson dedicated the pamphlet to Sidney without asking permission, and some poets at the time suspected Sidney would reply in some fashion. To compare Gosson's spectacularly unsuccessful patronage appeal with Spenser's for Shepherd's Calendar in that same year (1579), click here. Based on the aesthetic of "Defense" and what you know about English nobles' sense of propriety with respect to contact with "commoners," how many things did Gosson do wrong that Spenser did right? In the "Defense," Sidney argues that poets were the first philosophers, that they first brought learning to humanity, and that they have the power to conceive new worlds of being and to populate them with new creatures.
According to Sidney, their "golden" world of possibility is superior to the "brazen" one of historians who must be content with the mere truth of happenstance. He then defines what he believes to be the essential formal characteristics of the various genres of poetry, and defends poetry against the charge that it is composed of lies and leads one to sin. Famous "Sidneyisms" you should be able to explain: N. The first, "Defense of Poesy," uses "poesy" for all literary forms, including lyric, drama, and prose. The second, "Apology for Poetry," uses "apology" in the sense of the Greek word apologia, or "an argument in defense" of a client. In both senses, Sidney stands as an advocate for all creative writers at a crucial point in the development of English literature.

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